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A Doll's House Henrik Ibsen


# of Words: 378

Envision what Law and Order will be like at verse--Oh, dearest judge, do not slam your gavel; for when you do, justice will probably overtake. (No. Only... no.) Or what Orange is the New Black will be like when the offenders broke out from bizarre, flowery soliloquies in the drop of the hat. Or if Authentic Detective were put at a castle or among the upper-upper classes.

.. because that is just where play took place.

Ibsen is frequently called "the father of modern drama" because he helped popularize realism, which a fantastic portion of today's amusement struggles without even knowing it. Just about every single show on television that a) doesn't preoccupy itself with only the super-rich( b) examines real-life situations, and c) utilizes normal-sounding language exerts a little something to Ibsen.

Nora's door-slamming depart from her union is sometimes described as a shot heard around the globe. The very thought that a girl could have something to do other than keep home and raise children was fairly forgettable from the Victorian Era.

Party invitations were sent out asking that individuals not talk about the play. Hosts were fearful their tasteful engagements would flip into all-out brawls. Many critics were simply as scandalized. They scathingly criticized Ibsen for endangering society's most sacred institution: union.

Although the play is frequently pigeon-holed as a feminist manifesto, Ibsen denied it. Once, when he was being honored by the Norwegian Society for Women's Rights, he stated, "I'm not even very sure what women's rights really are. To me personally it has been a question of individual rights."

To Ibsen, it is not always about the fact that Nora is a girl; it is about the fact that she is a human being. He believed that all individuals, women and men alike, should have the guts to stand up against society and shape their own opinions. Think about it--in a sense, Torvald, Nora's husband, is at least as caged by society as his spouse. Society has programmed them both into their prescribed functions: dominant, supplier husband; submissive, homemaking spouse.

In Ibsen's head, all human beings have a sacred responsibility to themselves. Yup: our Henrik was way ahead of the time, in terms of both his personality (yay, realism!) Along with his free-thinking individualism.


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